Rock and roll doesn’t whisper—it screams. And Electric Lady‘s latest single proves they understand the assignment perfectly.
The Czech-born rock trio just dropped “I’m Done (I’ve Had Enough)” on June 27, 2025, and it’s exactly the kind of raw, unfiltered rage that rock needs right now. At just 2 minutes and 26 seconds, the track wastes no time with pleasantries. Frontwoman Tereza Rays, backed by drummer Robin Evans and bassist Cayman, channels pure frustration into guitar-driven fury that feels both timeless and urgently current.
“‘I’m Done’ isn’t just a song, it’s a battle cry,” the band explains. “While pop plays it safe, rock still bleeds, screams, and lives loud.”
Tereza Rays / Electric Lady
That’s not empty talk. From the opening line about another soul-crushing alarm clock morning, Rays captures that universal exhaustion we all know too well. She’s searching for good things but coming up empty, and honestly, who hasn’t been there? The repetition of “I’ve had enough I’m done” becomes a mantra—not defeated, but defiant.
The track’s most cutting moment comes when Rays addresses the elephant in every rock venue: “Everybody’s telling me Rock ‘N’ Roll is dead / Well I am still standing so I’ll pick my guitar instead.” It’s the perfect middle finger to every think piece about rock’s demise, delivered with the kind of conviction that only comes from someone who’s heard it too many times.
What makes this track compelling isn’t just its anger—it’s how personal that anger gets. There’s real vulnerability when she admits “You tell me what to do / It’s tearing me apart / I can’t be who I want.” And that line about mama warning her to study or be “f*cked”? Rays flips it on its head with “Here I am look at me / Now I’m living it”—whether that’s triumph or irony, she leaves for us to decide.
Rays, who picked up her first guitar at 15 after discovering Jimi Hendrix, has spent over a decade building toward this moment. Since forming Electric Lady in 2013 with their debut “Storm,” she’s been carving out space in a music world that often treats rock like a museum piece rather than a living art form.
The production, handled by NMR Records in England, strips away any unnecessary polish. That searing guitar echo the band mentions? It’s not buried under layers of effects—it stands front and center, demanding attention. This approach makes sense when you consider Rays’s collaborators on upcoming material: Paul Bond, who worked on Jeff Wayne’s “War of The Worlds,” and Kenney Jones, the legendary drummer who kept time for The Who. These aren’t people interested in sanitizing rock’s rough edges.
After hundreds of concerts across Europe, the United States, and the UK, Electric Lady has evolved from underground force to international rock presence. Their journey from early festival appearances to headlining status across multiple continents speaks to something bigger—rock’s refusal to be relegated to history books.
Tereza Rays / Electric Lady
Born in Kladno in 1987, Rays faced parents who didn’t support her musical ambitions. She’s recorded in Texas, London, and across Europe, and continues writing every note of Electric Lady’s material. Her stage presence, often compared to everyone from Hendrix to Lenny Kravitz, comes from that rare combination of technical skill and genuine emotional investment.
Other Electric Lady tracks like “Producer,” “My Guitar,” “One Way Ticket,” and “Confusion” have already established their voice in modern rock. But “I’m Done (I’ve Had Enough)” feels like a statement of intent—rock doesn’t need permission to exist, and it certainly doesn’t need to apologize for being loud.
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