Estaire wants you to feel like you’ve stepped into a movie. That’s the whole point. She writes songs about love, limerence, heartbreak and the quieter inner worlds most people carry around without talking about, and she’s after one specific thing, that moment a track drops you somewhere else, into a scene or a memory you forgot you were holding onto. “I make music for people who romanticize everything,” she says.
Her story starts the way a lot of them do, with whatever was playing around the house growing up. For Estaire that meant Celine Dion and Whitney Houston, the kind of singers who could turn a ballad into a whole event. That’s where the taste for big, emotional music came from. Then came the stuff her generation actually grew up on, 2000s pop, the Disney Channel movies, the Disney soundtracks, the film scores that make everything hit a little harder. The thread running through all of it was storytelling. “I loved how music could tell a story, build emotion, and make you feel like you were inside a movie,” she says.
Her own involvement in music picked up in high school, where she played clarinet in marching band. It’s not glamorous, but it was her first real taste of performing and being part of something bigger than a playlist. The bigger swing came later. In January 2025 she enrolled in a music production program and finally started building songs herself instead of just loving other people’s.
That’s around when 801 showed up, the label she runs for her own music. The name does double duty. It’s her birthday, August 1st, and it’s also the angel number 801, which she ties to new beginnings and making your own path. “For me, 801 represents the freedom to turn my visions into sound and build something that is completely my own,” she says. Mostly it’s about control. Her first single “Limerence” came out in mid-2025 and just passed 10,000 streams on Spotify, a number she’ll admit still feels a little unreal. “It’s surreal to know that something I created has reached people all over the world,” she says.
‘Limerance’ by Estaire
The music itself lands as pop and R&B with a cinematic, Y2K feel, built on modern electronic production. It’s emotional and story-driven, pulled from stuff she’s actually lived. Love, obsession, limerence, neurodivergence, the feelings that are harder to say out loud.
The influences line up with that pretty cleanly. Britney and NSYNC sit at the center, with the Disney and classical music she grew up on underneath. What she keeps coming back to is artists who build a whole world, not just a good beat but a story and a look to go with it. “I love when a song can make you feel like you’re watching a scene unfold in a movie and leave you with a specific emotion or memory,” she says. That’s the quality she’s chasing in her own tracks, where you hear one and get yanked back to some particular stretch of your life.
What she’s going for is simple. “I hope listeners feel seen, inspired, and transported when they listen to my music,” she says. She wants her songs to give people room to actually feel things and put words to stuff they couldn’t name before. Most of all, she wants them to walk away feeling like they experienced a new world and not just listened to a song.
She’s a few releases deep now. “Limerence,” “Painted Evergreen” and “Delulu for You” all landed in 2025, and her latest, “Do I Let You Go?“, came out in July 2026, a tight three-minute breakup song caught in that exact moment of deciding whether to walk. Next up she’s re-releasing “Delulu for You.” “I’ve had the opportunity to revisit the song and bring it closer to the vision I originally had for it,” she says. There’s more music coming too, all of it in that nostalgic, cinematic lane that fits her best. She’s staying vague on details, which is fair, but she’s not pretending nothing’s on the way.
If there’s one thing worth taking from any of this, it’s her own conviction that you don’t have to fit in one box to make something worth making. This is her debut era as an independent artist, and she’s still figuring out who she is inside it. “I’ve learned that you don’t have to have everything figured out before you start,” she says. “Sometimes you just have to trust your vision, keep creating, and let yourself grow along the way.” That’s the whole approach.
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